Fusion Guitar TeacherLearn some movable magic chords and how you can use them. Steve's musical passion in recent years has been modern jazz and fusion guitar, and his playing has been heavily influenced by guitarists such as Pat Metheny, Mike Stern, Bill Frisell, Allan Holdsworth, Kurt Rosenwinkle, Scott Henderson, Wayne Krantz, Oz Noy, and John Scofield.
A recent review of Steve's Out Loud CD states that intelligent compositions and state of the art execution make this an exquisite album that every jazz and fusion guitar lover must have.” Another reviewer notes that the album shows a good variety of guitar styles that evoke lots of other jazz guitar greats without sounding quite like anything else.” Steve recently released a new CD titled There To Here that contains all original music and features some of Colorado's finest musicians.
Rob Castellano is a guitarist, songwriter and composer from Minneapolis, MN. Robert began playing the guitar at the age of 13 and started performing at 14. He has played with a variety of bands over the years, with genres ranging from Rock and Metal to Funk and Hip Hop.
Another device extracted from basic rhythm-guitar lore, here Josh makes use of referencing the diminished chord, moving up a semitone from the D7. As he explains in the video, at the time he discovered this he didn't know a diminished scale, but his teacher was able to show him a few ideas based around it that formed the basis for the sort of ‘outside playing', employed by players like Robben Ford, later on.
I am an experienced teacher who has been teaching for a few years now whilst I study music in Southampton(specialising in jazz fusion guitar performance). Referring to the example that you gave (Tom Quayle), he is mostly playing inside, i.e. using the appropriate chord scale over the current chord.
Triplets feature 3 notes for every beat in the bar and are counted 1-trip-let, 2-trip-let, etc. The new way of playing the scale is using an alternating pattern of 3 and 1 notes per string. Jazz and blues, 50s rockabilly and western swing, to the funk and jazz fusion of the 70s.
These chords are outside the key that´s F major. This can be practical for some types of lines, but the doubled notes can also make it hard to make sense of the melodies hybrid picking fusion licks you make with these patterns. Sore fingers, which many novices experience when learning acoustic guitar, are not nearly as severe when learning to play electric guitar.
I'd like to show you some sequencing ideas, a way to sequence notes within a scale or within just a random pattern that you can choose on the guitar. Playing these notes creates the following intervals over the chord progression. The first example is recorded by Mark Lettieri, who along with being one of the finest solo guitar players in the world, plays for the jazz fusion grammy award winning band Snarky Puppy.
To play D Dorian, place the Second Finger or newly named (Dorian) finger on D note 10th fret on the low E string and use the notes in the normal major scale shape. In this latest video lesson we take a bar by bar musical journey through my track 'Just A Dream' which is the third track on my debut album 'Insideout'.
If you wanted to play C Ionian you would place your (Ionian) Finger on the C note 8th fret on the low E string then play using the notes in the normal scale positions. Topics Covered: Guitar, Chords, Upper Structures, Minor Triads, Voicings, Tensions, Jazz Harmony, Theory, Etc.
You now move on to learning how to make scales, arpeggios , and other devices sound like jazz in your solos. Recorded videos will remain for all lessons. Below is a PDF file you can print out for this guitar lesson and an Am Jazz Fusion Jam track to play with. My Hour-long lessons are suited to students of all ages who have a real drive to learn to play properly.